If you right‑click on a Clip and select Rating from the bottom of the contextual menu, you can give it a score of between one and five.Īlternatively, choose Ratings from the Clips menu or use the shortcut of all three modifier keys plus numbers one through five. Since Pro Tools 8, you no longer need to use a pen and paper solution to sort your takes Avid have incorporated a rating system - which is, of course, saved with the Session. When auditioning each segment of each take to determine the best ones, it's often handy to write down a rating scheme to try and put some sort of quantitive value on each segment. Once you have made a selection within a clip on a comp lane, you can use the 'Copy Selection to Main Playlist' button and corresponding shortcut 'promote' to bring the clip up to the master Playlist for that track. Clips comped to the master Playlist retain the colour of their source comp lane so you can see where they came from.įor more on comping and playlists Russ has done a great video on how to do this including him singing live during the video, respect brother. The Edit window's Show/Hide list displays the Playlists on a track inset below the track itself, so you can show or hide the complete set by selecting the track, but also show and hide individual comp lanes. You can see which are comp lanes, as they are inset on the Edit window. As before, all Playlists on a track share the same voice, so you can only listen to one comp lane at a time. When you select this view, Pro Tools will display the most recent Playlist on the main track, and the previous takes on 'sub‑tracks' or 'comp lanes' as Avid call them. You will find an option in the track display drop‑down menu called Playlist. The vocal comping feature in Pro Tools allows us to combine the best of both techniques, because you can now display each Playlist on a track in its own separate lane. This had some advantages, such as not forcing you to mute and unmute individual tracks manually, but has the big disadvantage that you could only see one Playlist at once. The other main technique used by many people is to keep the separate takes as Playlists on a single track, and copy the best bits to a new Playlist on that track to create a comp. Then I would cut and paste the best bits onto a 'master' track to create the finished vocal comp. ![]() Vocal Comping In Pro Toolsīefore the vocal comping feature was added back in Pro Tools 8, I would record a number of takes and then pull them out of the clip list onto separate tracks, then route all these tracks to an Aux track so I could audition them all through the same processing chain. ![]() ![]() Leave the original playlist empty, when you come to ‘comp up’ you will have an empty playlist to comp onto. That way Playlist 01 becomes ‘take 1’ etc so you won’t need to need to do the mental adjustments to convert playlist numbers to take numbers. When recording give each ‘take’ a playlist.
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